MARC details
| 000 -LEADER |
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| fixed length control field |
03621cam a2200373 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
1107262 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20180729123142.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
930714s1994 nyua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
93026945 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0198117469 : |
| Terms of availability |
£27.50 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
019818252X (pbk.) |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Transcribing agency |
DLC |
| Modifying agency |
DLC |
| Description conventions |
rda |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
e------ |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
NX542 |
| Item number |
.B88 1994 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
700.9409041 |
| Item number |
B.C.E |
| Edition number |
22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Butler, Christopher, |
| Dates associated with a name |
1940- |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
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| Title |
Early modernism : |
| Remainder of title |
literature music and painting in Europe, 1900-1916 / |
| Statement of responsibility, etc |
Christopher Butler. |
| 264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
Oxford : |
| Name of publisher, distributor, etc |
Clarendon Press, |
| Date of publication, distribution, etc |
1994. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xviii, 318 pages : |
| Other physical details |
ill. (some color.) ; |
| Dimensions |
24 cm |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
volume |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
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| General note |
economic&political bookfair2015 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
1. The Dynamics of Change. 1. Scepticism and Confrontation. 2. The Withdrawal from Consensual Languages. 3. Technique and Idea --<br/>2. The Development of a Modernist Aesthetic: New Languages for Painting and Music. 1. Matisse and Expression. 2. Kandinsky and Abstraction. 3. Schoenberg and Atonality. 4. Braque, Picasso, and Cubism. 5. Language and Innovation --<br/>3. The Modernist Self. 1. Internal Divisions. 2. Subjectivity and Primitivism --<br/>4. The City. 1. The Individual and the Collective. 2. The Futurists. 3. The Poet in the City. 4. Beyond the Stream of Consciousness. 5. Berlin --<br/>5. London and the Reception of Modernist Ideas. 1. From Hulme to Imagism. 2. Post-Impressionism versus Futurism. 3. Futurism. 4. Abstraction, Classicism, and Vonicism --<br/>6. Aspects of the Avant-Garde. 1. Diffusion and Adaptation. 2. Progress and the Avant-Garde. 3. Irrationalism and the Social. 4. A Political Conclusion? |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
Early Modernism is a uniquely integrated introduction to the great avant-garde movements in European literature, music, and painting at the beginning of this century, from the advent of Fauvism to the development of Dada.<br/><br/>In contrast to the overly literary bias of previous studies of modernism, this book highlights the interaction between the arts in this period. It traces the fundamental and interlinked re-examination of the languages of the arts brought about by Matisse, Picasso, Schoenberg, Eliot, Apollinaire, Marinetti, Ben, and many others, which led to radically new techniques, such as atonality, cubism, and collage. These changes are set in the context both of the art that preceded them and of a new and profound shift in ideas. Theories of the unconscious, the association of ideas, primitivism, and reliance upon an expressionist intuition led to a reshaped conception of personal identity, and Butler examines the representation of the modernist self in the work of figures including Mann, Joyce, Conrad, and Stravinsky.<br/><br/>Accessible and wide-ranging, the book is lavishly illustrated with over sixty illustrations, many in color. It provides an elegant and incisive guide to a momentous period in the history of European art. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Modernism (Art) |
| Geographic subdivision |
Europe. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Arts, European |
| Chronological subdivision |
20th century. |
| 856 42 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Publisher description |
| Uniform Resource Identifier |
<a href="http://www.loc.gov/catdir/enhancements/fy0603/93026945-d.html">http://www.loc.gov/catdir/enhancements/fy0603/93026945-d.html</a> |
| 856 42 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Contributor biographical information |
| Uniform Resource Identifier |
<a href="http://www.loc.gov/catdir/enhancements/fy0722/93026945-b.html">http://www.loc.gov/catdir/enhancements/fy0722/93026945-b.html</a> |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
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| a |
7 |
| b |
cbc |
| c |
orignew |
| d |
1 |
| e |
ocip |
| f |
19 |
| g |
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| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Books |