Dreams of trespass : tales of a harem girlhood / Fatima Mernissi ; photographs by Ruth V. Ward.
Material type:
TextPublisher: Reading, Mass. : Addison-Wesley Pub. Co., ©1994Copyright date: [1994]Description: 242 pages : illustrations ; 25 cmContent type: - text
- unmediated
- volume
- 0201626497
- 964.0082 20 M.F.D
- CT2678.M47 A3 1994
| Item type | Current library | Call number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|
Books
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Main library B12 | 964.0082 M.F.D (Browse shelf(Opens below)) | Available | 00006751 | ||
Books
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Main library B12 | 964.0082 M.F.D (Browse shelf(Opens below)) | Available | 00006881 |
Originally published: Reading, Mass. : Addison-Wesley, ©1994.
My harem frontiers --
Scheherazade, the king, and the words --
French Harem --
Yasmina's first co-wife --
Chama and the Caliph --
Tamou's horse --
Harem within --
Aquatic dishwashing --
Moonlit nights of laughter --
Men's salon --
World War II: view from the courtyard --
Asmahan, the singing princess --
Harem goes to the movies --
Egyptian feminists visit the terrace --
Princess Budur's fate --
Forbidden terrace --
Mina, the rootless --
American cigarettes --
Mustaches and breasts --
Silent dream of wings and flights --
Skin politics: eggs, dates, and other beauty secrets --
Henna, clay, and men's stares.
Overview: "I was born in a harem in 1940 in Fez, Morocco ..." So begins Fatima Mernissi in this exotic and rich narrative of a childhood behind the iron gates of a domestic harem. In Dreams of Trespass, Mernissi weaves her own memories with the dreams and memories of the women who surrounded her in the courtyard of her youth-women who, deprived of access to the world outside, recreated it from sheer imagination. Dreams of Trespass is the provocative story of a girl confronting the mysteries of time and place, gender and sex in the recent Muslim world. In a book as evocative as anything found in A Thousand and One Nights, Mernissi, who was born in a harem in 1940 in Morocco, writes with great wit and color of the politics of seductions, of the harem as a metaphor, and of the world beyond--every woman's inaccessible obsession.
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