000			03274cam a2200469 i 4500
999			_c11839 _d11839
001			965129257
005			20200212130023.0
008			160804t20162016enkae b 010 0 eng c
020			_a9781909942905
020			_a1909942901
035			_a(OCoLC)965129257 _z(OCoLC)936533333 _z(OCoLC)944086639 _z(OCoLC)964643438 _z(OCoLC)965486065 _z(OCoLC)965725871 _z(OCoLC)967109246 _z(OCoLC)967586145 _z(OCoLC)967772775 _z(OCoLC)968202264
040			_aUKUOY _beng _erda _cUKUOY _dOCLCO _dYDX _dUAB _dBNG _dEYM _dOCLCQ _dOCLCF _dA7U _dZVP _dOCLCA _dGUA _dYDXCP _dBTCTA _dBDX _dTXI _dOBE
042			_apcc
043			_af------ _aa------ _ae------
050		4	_aDS35.63 _b.A78 2016
082	0	4	_a303.482176704 _223 _bA
245	0	0	_aArt, trade and culture in the Islamic world and beyond : _bfrom the Fatimids to the Mughals / _cstudies presented to Doris Behrens-Abouseif ; edited by Alison Ohta, J.M. Rogers and Rosalind Wade Haddon
264		1	_aLondon : _bGingko Library, _c2016
264		4	_c©2016
300			_a281 pages : _billustrations (chiefly color), plans ; _c30 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aGingko Library art series
504			_aIncludes bibliographical references
505	2		_aMetalwork -- Architecture -- Ceramics -- Book arts and painting -- Material culture
520			_aThe essays in this book trace a rich continuum of artistic exchange that occurred between successive Islamic dynasties from the twelfth through nineteenth centuries--as well as the influence of Islamic art during that time on cultures as far away as China, Armenia, India, and Europe. Taking advantage of recent technologies that allow new ways of peering into the pasts of art objects, the authors break new ground in their exploration of the art and architecture of the Islamic world. The essays range across a variety of topics. These include a look at tile production during the reign of the Qaytbay, the book bindings associated with Qansuh al-Ghuri, and the relationship between Mamluk metalwork and that found in Rasulid Yemen and Italy. Several essays examine inscriptions found on buildings of the Fatimid, Mamluk, and Ottoman periods, and others look at the debt of European lacquer works to Persian craftsmen, the Armenian patrons of eighteenth-century Chinese exports, and the influences of Islam on art and architecture found all across India. The result is a sweeping but deeply researched look at one of the richest networks of artistic traditions the world has ever known
650		0	_aArt _xEconomic aspects _zIslamic countries _xHistory
651		0	_aIslamic countries _xRelations _zEurope _xHistory
651		0	_aEurope _xRelations _zIslamic countries _xHistory
651		0	_aIslamic countries _xRelations _zAsia _xHistory
651		0	_aAsia _xRelations _zIslamic countries _xHistory
651		0	_aIslamic countries _xCommerce _zEurope _xHistory
651		0	_aIslamic countries _xCommerce _zAsia _xHistory
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
700	1		_aBehrens-Abouseif, Doris, _ehonoree
700	1		_aOhta, Alison, _eeditor
700	1		_aRogers, J. M., _eeditor
700	1		_aWade Haddon, Rosalind, _eeditor
830		0	_aGingko Library art series
942			_2ddc _cBK